193 pages - ISMN M-801224-27-2
English / Spanish

This volume includes transcriptions, comments and analysis of the following pieces:

• "Yerbagüena (Oriente)" (rumba) This piece is a duo of the guitars by Pepe Habichuela who plays with the capo on II in D major with the sixth string tuned down to D, accompanied by Josemi Carmona playing in E without the capo. The singing verse has been transcribed in its entirety for the second guitar or any other instrument, depending on the wishes of the musicians involved.
• "Bangalore Krishna" (bulería). This is a dialogue between the guitars by Pepe and Josemi and the Bollywood Strings. Pepe plays por arriba (Mi Hijaz) with no capo, and Josemi, por granaína (B Hijaz), with the capo on V. In addition to both guitars, the most important parts played by the Indian musicians, as well as scat improv have been transcribed for the second guitar, which, conveniently enough, doesn't play during the parts in question.
• "A mi chaché Miguel" (soleá). This magnificent guitar solo is another demonstration of the depth and beauty Pepe Habichuela is capable of reaching in the soleá, the king of flamenco forms. Irreplaceable for any guitarist.
• "Se la llevó Dios" (malagueña de Cádiz). This is an encounter between two authentic maestros of flamenco: singer Enrique Morente and guitarist Pepe Habichuela. Both the guitar and the singing have been transcribed completely, to the last embellishment. A must for any student of flamenco accompaniment. The synchronicity between the two artists as well as the purity and quality of their interpretation is truly amazing. 

Each volume includes:

• Transcription of each piece in notation and tab with complete both hands fingerings
• History of the form
• Flamenco modes, chords and tonalities
• Compás, palmas and foot marking, which is essential for understanding of flamenco rhythms and, nevertheless, is never spoken about in flamenco manuals.
• Analysis of the most difficult falsetas with explanations and advice as to technical execution.
• List of generic rasgueados.
• Glossary of flamenco terminology
• The symbols used in flamenco writing

José Antonio Carmona Carmona, Pepe Habichuela, is born in 1944 in Granada, in the heart of one of the most prestigious gypsy families in the world of flamenco 'Los Habichuela’. Grandson of 'Habichuela el Viejo’, son of uncle 'José Habichuela' and brother of Juan, Luis and Carlos Habichuela. No doubt Pepe is one of the most gifted flamenco guitarists of his time, already performing in the legendary tablao 'Torres Bermejas' in Madrid at an age of 20, accompanying the Marchenas, Valderrama, Camarón and Enrique Morente. He belongs to the generation of pure and earthy flamencos being a leader, an authority in the accompaniment of singing. His contemporaries are Paco de Lucía, Camarón, Morente, Sanlúcar…all paving the way for the young flamencos today and encouraging the enormous popularity enjoyed nowadays. Pepe learned flamenco guitar from Sabicas and Mario Escudero and provides a very personal and persuasive influence, hence his compas and sensitivity, to his son and nephews (Ketama), Raimundo Amador and José Soto 'Sorderita’. Pepe was the first flamenco artist that could record for 'Nuevos Medios’ which distributed his first album 'A Mandeli’ worldwide. His second CD 'Habichuela en rama' was produced in collaboration with his son José Miguel Carmona. When Pepe, in 1982, participates in the tribute to maestro Sabicas in the unique setting of the Gayarre theatre in Pamplona Spain, the city dedicates its fiesta ‘ anfermines' to Pepe rewarding him with the gold medal. In 2001 his 3rd album 'Yerba Güena’ made history. Recorded in Bangalore (India), Barcelona and Madrid with the collaboration of the Indian orchestra 'The Bollywood Strings’, the famous 'Yerba Güena’ album represents the solemnization of an old chimera...the natural, roots driven, historical fusion between flamenco and classical music of India.

注文受領後、2-3日以内に注文された商品の発送を行います。ホリデー期間中は、配達までに時間を要する場合がありますので予めご了承ください。最も低い送料は、チェックアウトで自動的に算出します。個数のある一回のご注文で、それぞれ別配送になった場合は、割増料金は発生しません。個人宅への発送のみとなります。

返品について

お客様には、14日間内に希望の商品の受け取りであったかを確認していただきます。返品をリクエストする場合、右上の「マイ LaSonanta」をクリックし、次に「返品」を選択してください。La Sonantaでは、商品が元の状態である限り、低い配送料金に加え、どのような商品でも返金に応じさせていただきます。オンライン追跡運送サービスにより受け取り時間を確認します。お店で直接ご購入いただいた商品、またはDVD、本やCDなどの密封品は返品権利の対象外になります

商品を返品する場合、送料と配送業者の負担はお客様になります。

弊社は返送の手配は行いません。また、返送にかかる費用の返金も行いません。保険付きの配送をご利用になることをお勧めします。すべての製品は、損傷のない元の箱と梱包で返送する必要があります。製品に消耗の兆候があり、価値が低下している場合は、それに応じて返金額を減額する権利を留保します。したがって、製品または機器を所有している間は丁寧に扱い、製品を返品したいと連絡した後は使用しないでください。製品が弊社に到着するまで、製品の責任はお客様にあります。返金不可のデポジットが支払われた特別注文製品およびカスタム注文は、この返品ポリシーの対象外です。弊社はすべての関係者が受け入れられる解決策を見つけるために最大限の努力をしますが、カスタム製品の支払い金額を全額返金できるという保証はありません。

お客様の個人情報の保護と安全性を最優先に。

毎度、La Sonantaでご注文のお支払いをしていただく場合、カード番号と情報は暗号化され3-D Secure™不正防止プログラムによって、データの格納を行います。お客様のカード番号は暗号化され、視認も不可能であり、TLS認証テクノロジーを使用していますので情報漏れも未然に防げるため、快適で安心なオンラインショッピングを行っていただけます。安全なオンライン決済に適用される主要クレジットカードとお支払い方法に加え、国際電子振込を全てのオンライン注文にご利用いただけます。